Limited edition of 980 copies, numbered, with certificate. Virtually invincible, very few have faced this awesome creature and lived to tell the tale. 'This legendary dragon is a powerful engine of destruction. Edition transferred directly onto artist's canvas using the Fine Art Giclée process and stretched onto a stretcher frame. In Stock First 4 Figures is proud to introduce their latest PVC statue collectible, Blue-Eyes White Dragon This is the first statue to release in the all-new Yu-Gi-Oh PVC lineup. Original: 1918, oil on canvas, 81 x 54 cm, Musée d'Art Moderne De Paris, Paris. Modigliani also applied this characteristic style to this work. He made the elongated torsos, and mask-like faces his typical unique selling point. Only a few succeeded in creating such unmistakable imagery as the Italian painter and sculptor. IN-934638 Picture "Woman with Blue Eyes" (1918), black and silver-coloured framed version InStockĮUR Amedeo Modigliani was one of the most exceptional artists at the beginning of the 20th century. The tragedy of his life was his ailing health aggravated by alcohol and drug addiction, to which he succumbed at the age of 35. The portraits and nudes, to which landscapes were added only in the last two years of his life, bear witness to the artist's great sensitivity. In the depicted faces as well as in the figures, the painter combines grace with melancholy. Never has a Structure Deck been released. Through the warm ochre and yellow tones and the fresco-like application of the colours, the heritage of Florentine-Sienese painting lives on in his works. Thats not all, introducing Azure-Eyes Silver Dragon, a powerful new Synchro Monster whose impact is immeasurable. Therefore, he painted numerous portraits of his friends, poets and artists from the circle of Parisian intellectuals. In his portraits, Modigliani wanted to make the character of the sitter vivid. In their works, they articulated the world of sensation, turning the sitters into bearers of feeling and thus understanding the psychological moment as the most important pictorial statement.
Together with Marc Chagall and Chaim Soutine, Modigliani formed part of the triad of Jewish artists in Paris who clearly separated themselves from these new styles.
Fauvism and Cubism were nothing more than just formal and technical stimuli for Modigliani. Nevertheless, his works can never quite be assigned to the avant-garde art movements at the beginning of the 20th century. From 1909, Modigliani began to study African sculptures, whose visual language had an influence on his style and sculptures.
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